Showing posts with label Dedications. Show all posts
Showing posts with label Dedications. Show all posts

04 March 2024

Too Soon?



Son of a Meech: The Best Brian Mulroney Jokes
Mark Breslin, ed.
Toronto: Ballantine, 1991
113 pages


News of Brian Mulroney's death last Thursday did not hit hard. I was no admirer. As a young man, I dismissed Mulroney as Ronald Reagan Lite. Simplistic, but not wrong. In 1984, the year he led his party to the second greatest electoral victory in this country's history, I was distrustful and skeptical. It came as no surprise when his government began selling off Crown assets at Fire Sale prices.

The Mulroney government spanned the better part of my twenties. He hung onto power, forcing the game into overtime, only to leave the political arena when it became clear he could not score a third victory. Mulroney all but destroyed the Progressive Conservative Party, leaving Kim Campbell and Peter Mackay to ensure its end. 

Nostalgia.

As I say, I was no admirer, though I've come to recognize the man's achievements. He somehow managed to convince Ronald Reagan and Margaret Thatcher that Apartheid was wrong, which was no small feat. He wasn't quite as successful in pushing Reagan on acid rain, but he did get a treaty through with the first President Bush. Mulroney really was our "greenest prime minister," a title included in most of the obituaries.

That he holds it still, three decades after he stepped down as PM, is a sad commentary on his successors.

Son of a Meech
Andy Donato
Toronto: Key Porter, 1990
Son of a Meech is so obvious a pun that Breslin's book is the second to use it as a title. The Meech Lake Accord was Mulroney's greatest gambit, and his greatest defeat. I was against it at the time but have since changed my position. I won't go into my reasoning as it would add five thousand words to this post. I'd much rather focus on this collection of "The Best Brian Mulroney Jokes" because it anticipates the hate, homophobia, and misogyny spread by Ezra Levant, Jeff Ballingall's Proud pages, and the Conservative Party itself.

And so, a warning to the reader, I will be quoting from this book.


Let's begin with stand-up comedian Mark Breslin's brief introduction, in which he describes how Son of a Meech was born:
After each show, members of the audience would approach me with jokes about [Mulroney] – vicious, mean, brutal – my kind of jokes. They weren't, as my literary sensei Jack Kapiica observed, the usual anti-government barbs, but personal ad hominem attacks on the man's most private self. These jokes stepped over the line of good taste, and I got interested.
Are these amongst the jokes he collected? 
Canadians no longer believe in the theory of trickle-down economics.
   Mulroney's trickled down on them long enough.

Not that the prime minister is crooked...
   But last week he swallowed a nail and it came out a corkscrew.
Perhaps not. They don't step over the line.

Variations of the trickle-down economics joke can be traced back to Reagan's first term. The corkscrew joke has iits origins in an insult General Sir Gerald Templer delivered to Lord Mountbatten.

The most interesting part of Breslin's introduction suggests that the jokes provided by his fans weren't quite so numerous as he claims:
The collection got bigger, so I turned to Martin Waxman for help. He researched volumes of comedy material of all eras for jokes about despots and cruel or incompetent leaders. Sad to say, they fit.
And so, we get these:
Did you hear the new Mulroney stamp has had to be recalled?
   People kept spitting on the wrong side.

What's the difference between the prime minister and yogurt?
   Yogurt has culture.

Why would Mulroney never be eaten by cannibals?
   Because he's too hard to swallow.

What do you call an Irish Canadian with half a brain?
   Mr. Prime Minister.
Take a tired old joke, insert a reference to Mulroney, and you're pretty much done, but not always. This one was made contemporary with a reference to yuppies:
What's the only mediocre product yuppies will buy?
   Brian Mulroney.
This one proved too difficult to update:
What's the difference between Howdy Doody and Prime Minister Mulroney?
   You can't see Mulroney's strings.
There are even a couple of blonde jokes:
How do you make Brian Mulroney laugh on Monday?
   Tell him a joke on Friday.

Looking to bolster his stodgy image, the P.M. spent the night at a rock club. And not wanting to be perceived as a square, he even snorted Sweet and Low. 
   He thought it was Diet Coke.

Tame stuff, lame stuff, these can't be the "vicious, mean, brutal jokes" Breslin says he likes.

I've given an imprecise depiction of this book's content, choosing to not share jokes involving bestiality or golden showers. There's also a fair amount of racist and homophobic writing, the most extreme being a joke that combines the two and involves the PM receiving a black coffee enema. I won't be sharing it either, but because I feel there should be at least one example of Breslin's vicious, mean, brutal jokes, I present this:
What's the difference between Rock Hudson and Brian Mulroney?
   Brian's aides have not killed him yet.
Mark Breslin's book is unlike earlier Canadian political humour books. It has little in common with Sex and the Single Prime Minister, The Naked Prime Minister, I Never Promised You a Rose GardenP.E.T., or even Andrew Donato's Son of a Meech, which seem gentle ribbing in comparison. Nowhere is this more apparent than in its treatment of the prime minister's wife, Mila Mulroney, to whom Breslin dedicates the book.


Of the dozens of jokes in which she figures, this is the most tame:
Over dessert at 24 Sussex, Mulroney whispered to Mila, "Drinking makes you absolutely gorgeous."
   "I don't drink," Mila replied.
   "Yes, but I do."
The others feature fellatio, anal sex, adultery, and descriptions of a variety of sexual positions. Plumbers feature in four of them. 'The Unity Issue,' eighth of the book's ten sections, focusses exclusively on Brian and Mila Mulroney's sex life.

Mark Breslin was appointed a Member of the Order of Canada in 2017.

Was Brian Mulroney Canada's worst prime minister as Breslin claims? Of course not. The most recent Maclean's ranking had him in eighth spot, just below Jean Chrétien, which seemed about right. But then I remembered that Mulroney accepted bribes and was a tax cheat. How about we place him in the very middle, just below eleventh place John Diefenbaker, but above Alexander Mackenzie.

Seems more than fair.

Is Breslin's Canada's worst joke book?

Beyond a doubt.

Martin Brian Mulroney
20 March 1939, Baie Comeau, Quebec
29 February 2024, Palm Beech, Florida

RIP

Object and Access: A slim mass market paperback, I found my copy two years ago in a Kemptville, Ontario thrift store. Price: $1.00.

Son of a Meech is held by seven Canadian libraries, the most surprising being the Legislative Library of British Columbia. St Francis-Xavier University, Brian Mulroney's alma mater, does not have a copy. 

Related posts:

06 February 2023

A Woman Cheated


The Cannibal Heart
Collected Millar: Dawn of Domestic Suspense
Margaret Millar
New York: Syndicate, 2017

In Margaret Millar's bibliography, The Cannibal Heart falls between It's All in the Family and Do Evil in Return. As a light and lively novel for children, the former is her most unusual; the latter, which deals with the tragic consequences of a refused abortion, is both her most controversial and most timely. The Cannibal Heart isn't so noteworthy. Of the fourteen Millars I've read to date, it ranks below the average, which is to say that it is merely very, very good.

The novel takes place almost entirely on the grounds of a large California oceanfront estate rented by the Banners: Richard, Evelyn, and their active eight-year-old daughter Jessie. The property belongs to a Mrs Wakefield, whose efforts to sell have been thwarted by a draught. Her employees, cook Carmelita and caretaker husband Carl, live with their adolescent daughter Luisa in a three-room apartment above the garage.

Someone spoken of, but not seen, Mrs Wakefield grows as a figure of mystery in the initial chapters. She at last appears as an attractive thirty-something widow worthy of sympathy. In the space of the previous two years, Mrs Wakefield has lost her husband John, as well as Billy, their only child. John was a naval engineer, a wealthy man whom Mrs Wakefield met as a schoolteacher from a small Nebraska town. Their child, Billy, was... well, let's say Billy is revealed gradually. 

But then things in Millar novels are always revealed gradually.

It's suggested that the Banners have come from the East Coast to recover from some sort of domestic disturbance. Might Evelyn's issues with jealousy be related? Even when alone, Evelyn and Richard maintain the pretence that the move has to do with expanding Jessie's horizons.

We come to know Mrs Wakefield intimately. The life she shared with her husband is something of a blur, but her experience giving birth to Billy and the days that followed are too clear for comfortable reading.

As always, Millar delves deeply into the inner lives of its characters, children included. Fifteen-year-old Luisa, a minor character (no pun intended), is a good example. Like most teenagers, she dreams of life far from her parents. In her fantasies, she's a singer with beautiful blonde hair, fawned over by handsome men with lots of money. But this can never happen in the way she imagines. Reality intrudes, reflected in the words of her father, who recognizes that she has been born "half-mulatto, half Mexican."

Syndicate Books, Millar's current publisher, lists The Cannibal Heart as a novel of suspense. It isn't. The Cannibal Heart belongs with Experiment in Springtime and Wives and Lovers, the two (and only two) novels the publisher categorizes as "OTHER NOVELS." As I wrote in a previous review, in these people do bad things; as do we all. While the reader might anticipate murder – after all, Millar was a mystery writer – nothing of the kind occurs. No character commits a criminal act, though one comes close. That that same character is the most sympathetic, most wronged, and most cheated, leads me to wonder whether I'm not right to thinking The Cannibal Heart below average Millar.

Dedication:
"For an old friend, a fine critic, and an ever-imaginative angler, Harry E. Maule."
An editor at Random House, Harry Edward Maule (1886-1971) accepted Millar's 1956 Edgar Allan Poe Award for Beast in View.

Object and Access: A bulky trade-size paperback, Dawn of Domestic Suspense is the second in the attractive (if cramped) seven-volume Collected Millar. The Cannibal Heart was the last to be read; the others have been reviewed in previous blog posts:
The Cannibal Heart is the ninth of Margaret Millar's twenty-six novels. It was first published in 1949 by Random House; Hamish Hamilton issued a British edition the following year. The Random House jacket (above right) better reflects the novel.


The Cannibal Heart was not a commercial success. It had spent over three decades out-of-print when, in 1985, International Polygonics issued the first paperback edition. A Thorndike large print edition followed fifteen years later.

As might be expected, The Cannibal Heart is uncommon in our public libraries. That serving Kitchener, the city in which Margaret Millar was born, the city in which she was raised, the city in which her father served as mayor, does not have a copy.

The Collected Millar remains in print. Used copies of The Cannibal Heart listed online begin at €6 (a first edition lacking jacket). At US$225, the most expensive is the same edition in "fine, bright dust jacket." Do not read the bookseller's description as there is a spoiler. 

The Cannibal Heart has enjoyed two translations: French (Le coeur cannibale) and German (Kannibalen-Herz).

12 October 2022

Quebec City Noir


Whispering City
Horace Brown
Pickering, ON: Global Publishing, 1947
190 pages

Whispering City may be Canada's very first film noir. This 75-year-old paperback may be the very first novelization of a Canadian film. The heroine of both is Mary Roberts, a young crime reporter with Quebec City newspaper l'Information. Mary is preparing to leave work one day when she receives a call that a woman has been hit by a truck. The accident victim, faded vidette Renée Brancourt, was once a big deal in Quebec until her lover, Robert Marchand, plunged over Montmorency Falls. The struggle to accept his death led Renée to be institutionalized. In recent years, she'd been living in a squalid flat on rue Sous-le-Cap in Quebec's Lower Town.

La rue Sous-le-Cap. Quebec City, 1947

Renée has held firm to her belief that Robert's death was no accident. She tells Mary as much from her Hôtel-Dieu hospital bed, pointing an accusing finger at Albert Frédéric.

Surely not! The man is not only the most respected lawyer in Quebec, he's a patron of the arts!

Frédéric is currently supporting talented Michel Lacoste, whose Quebec Concerto will soon be making its debut at the Palais Montcalm. Unfortunately, the composer's work on final revisions s stymied by Blanche, his shrew of a wife. Just you try working on your concerto with big band music blaring in the background. Can't be done.

Michel breaks her 78. She slaps him. He storms out, ties one on, and shows up in the wee hours at Frédéric's palatial home. It isn't long before Michel passes out. When he does, Frédéric dons the composer's overcoat and sneaks off to the Lacoste flat. His intent is to murder Blanche, just as he had Robert Marchand all those years earlier, but he arrives to find she's committed suicide. A note is pinned to her pillow, which Frédéric quickly pockets.

The following morning, Frédéric convinces a hungover and confused Michel that he killed his wife in a fit of rage. The lawyer then offers the composer a deal: Frédéric will work to save Michel from the hangman if he kills Mary Roberts. The reporter's investigation of the old Marchand murder is getting too close to the truth.


The story and screenplay are straight out of Hollywood – Americans George Zuckerman and Michael Lennox wrote the former; Americans Rian James and Leonard Lee wrote the latter – but adapt well to Quebec City.

Brown sticks close to the script, though there are departures. He improves on the dialogue and wisely does away with the talkative sleigh driver who introduces the film. Brown gives Mary Roberts a backstory as an American who had begun her career writing for a New York tabloid. In one memorable scene not featured in the film, Mary and Frédéric discuss Canadian painters. If anything, Brown depicts the lawyer as a more sinister figure – clearly a psychopath – making the book all the more dark.

Whispering City is far from a great film – its current 6.2 rating on IMDb seems fair – though I must say it gets better with each viewing. See for yourself; the film is now in the public domain. Of the muddy prints available on YouTube, this appears to be the best:


Sadly, Brown's novelization is nowhere near so accessible. This is a shame because his Whispering City improves on the film. It's easily the best Horace Brown novel I've read.

I wouldn't be surprised that it gets better with each reading.

Dedication: 

Paul L'Anglais was the producer of Whispering City and its French-language version La Forteresse.

Fun fact: In 1952, the film Whispering City was rereleased under the title Crime City. Seems a bit unfair to Quebec, especially when one considers that there's only one criminal.


Object: 
A mass market paperback bound in thin glossy covers. Whispering City is one of a very few books published by Brown's Global Publishing Company. Curiously, the spine features the name of its distributor, Streamline Books. I purchased my copy a year ago from a Burlington, Ontario bookseller. Price: US$89.95.

The novel is preceded by an enthusiastic foreword by the author followed by a "CAMERA-QUIZZ" in which readers are challenged to place twelve stills from the film in the correct order.

Don't mean to brag, but I had no trouble.

Access: The University of Calgary has a copy.

27 June 2022

E.T. Cash In



P.E.T: Pierre Elliott Trudeau and his unearthly adventures
Jude Waples
New York: Avon, 1983
93 pages

E.T. was the summer blockbuster of 1982. I saw it on my twentieth birthday.

Most embarrassing.

At twenty, Pierre Trudeau was very nearly the only prime minister I'd ever known. He assumed the office when I was in kindergarten and stepped down when I was in university, that long stretch being interrupted by 273 days of Joe Clark.

I Never Promised You a Rose Garden
Michelle Le Grand and Allison Fay
Don Mills: Greywood, 1972

P.E.T. followed Sex and the Single Prime MinisterThe Naked Prime Minister, and I Never Promised You a Rose Garden; laughs that paired photographs with imagined conversation. This being a jubilee year, I present this example:


P.E.T. is very much a departure in that it relies on illustrations and actual quotations. The concept is that Pierre Elliott Trudeau is an extra-terrestrial or perhaps one of a race of extra-terrestrials who has/have played havoc throughout the centuries. 




I read the last image as a nod to Stanley Burke and Roy Peterson. Those who were twenty or older in the summer of '82 will remember.

Frog Fables & Beaver Tales
Stanley Burke and Roy Peterson
Toronto: J Lewis & Samuel, 1973

The odd placement of Parliament Hill aside, most striking is the near-absence of humour; it's more mean-spirited than anything.


That's meant to be Margaret Trudeau to the right of Joe Clark.

According to the 26 May 1983 edition of the Ottawa Citizen, Jude Waples was provided the quotations, and found them "scary." "I was careful to make sure none of the quotations weren't used out of context," she told journalist Kathleen Walker.

I'm not convinced, though given current times, I found this one particularly interesting.


Well, the man did attend the London School of Economics.

Like Waples' monster, P.E.T. is an awkward thing. Not all the quotes Avon provided belong to Trudeau. Here Margaret Trudeau's words are given to a horse:


Nine years ago, I described P.E.T.: Pierre Elliott Trudeau and his unearthly adventures as the ugliest Canadian book cover of all time. The interior isn't any prettier, though I've experienced far uglier things between the covers.

Is it quibbling to point out that some of the quotations are inaccurate?

Perhaps.

There's no way P.E.T. wasn't a rush job. As exploitation product goes, I like it just as much as this strange Montreal MusicWorks single, which somehow went gold in Canada:


P.E.T. isn't quite so memorable, but is it easier on the ears.


Full disclosure: I voted Liberal in 1988. Not sure about 1997.

Object and Access: A slim, trade-sized paperback. Purchased last year for for US$12, the old World's Biggest Bookstore price sticker was a nice surprise. The five copies currently listed for sale online range in price from US$7.99 to US$115.00. Condition is not a factor. I recommend the copy going for US$7.99.

The Library of Parliament, Library and Archives Canada, Bibliothèque et Archives nationales du Québec, and five of our university libraries hold copies.


24 June 2022

'La Fête nationale' par Léon Lorrain


Léon Lorrain
1855 - 1892
RIP
Verse for the day from Léon Lorrain's Les Fleurs poétiques, simples bluettes (Montreal: Beauchemin, 1890).

LA FÊTE NATIONALE

(La Saint-Jean-Baptiste)

A L'HONORABLE M. F.-G. MARCHAND
          Vingt-quatre juin! Salut! ― Ô fête solennelle!
          Apporte dans nos cœurs l'amitié fraternelle,
          Ce sentiment si beau qu'on le dit surhumain!
          Retardez votre cours, heures patriotiques!
          Laissez-nous savourer les plaisirs pacifiques
               Dont vous semez votre chemin!

          Le soleil radieux, comme un puissant génie,
          Répand à flots vermeils le jour et l'harmonie;
          Il féconde nos champs de ses subtils rayons;
          Il dispense partout dans sa course enflammée
          La vie et l'abondance; une brise embaumée
               S'élève de nos frais sillons.

          Notre libre drapeau flotte, au gré de la brise,
          Au sommet d'une tour, au clocher d'une église
          Et domine nos champs, ― resplendissants tableaux! ―
          Sous ses replis mouvants, l'enthousiaste foule
          Se rallie et se presse, ensuite se déroule
               Ondulante comme les flots!

          Tous les cœurs sont émus par la même pensée.
          Voyez se réunir cette foule empressée.
          Elle confond ensemble, en ce jour patronal,
          Au seuil du temple saint où souvent elle prie,
          L'amour du Tout-Puissant, l'amour de la patrie,
              Dans le devoir national!

II

          Du ciel où vous vivez, de ces célestes dômes,
          Esprits de nos aïeux, ô bien-aimés fantômes,
               Venez contemplez vos enfants.
          Dans le ravissement leur âme se déploie;
          Leur chère liberté, le bonheur et la joie
               Brillent sur leurs fronts triomphants!
          Voyez qu'elle sied bien à leur tête ennoblie,
          La couronne de fleurs que vous avez cueillie, ―
               La couronne de liberté!
          Ils ne l'ont pas flétri, ce lys emblématique;
          Mais ils l'ont cultivé de leur main héroïque
               Comme on cultive un fruit d'été!
Félix-Gabriel Marchand
1832 - 1900
RIP

Related posts:

19 April 2022

Ten Poems for National Poetry Month, Number 7: 'Dat's Laurier' by William Wilber MacCuaig


For the month, the seventh of ten poems
find interesting, amusing, and/or infuriating.

The second of two poems praising Wilfrid Laurier in William Wilber MacCuaig's Songs of a Shanty-Man and other "Dialect Poems" of French-Canadian Life (Toronto: Musson, 1913). The poet's only book, it's also dedicated to the great statesman.

"DAT'S LAURIER"
                    Who's dat raise h'all de row 'e can,
                    When 'e's small boy, h'also beeg man,
                    An' gets dere firs' mos' h'every tam?
                          Dat's Laurier.

                    Who's dat, when 'e's young lad at school,
                    Was at de top 'es class, no fool.
                    Can fight lak' mischief an' keep cool ?
                          Dat's Laurier.

                    Who's dat when partee Liberal
                    Was all bus' up on N.P. wall
                    'E save dat ship safe trou' it all?
                          Dat's Laurier.

                    When partee Conservateur was run,
                    An' on 'es side got all de fun,
                    Who's dat was firin' off 'es gun?
                          Dat's Laurier.

                    Who's dat, when Boer in h'Africa,
                    Raise beeg hurrah about some law,
                    'E feex 'im wid sodger from Canada?
                          Dat's Laurier.

                    Who's dat, when our good Queen she die,
                    Advise dem people fer to try,
                    Dat young fella—de Prince, so shy?
                          Dat's Laurier.

                    Who's dat, when in politique dey fight.
                    An' knock h'each oder out of sight,
                    Was settle h'everything all right ?
                          Dat's Laurier.

                    Who's dat, when 'e's gone far away,
                    De people's lonesome every day,
                    De crop 's bad, and dere's no hay?
                          Dat's Laurier.

                    Who's dat dey blame for h'everyting.
                    When dere's damp wedder and cole spring,
                    But 'e jus' smiles an' says, "By jing!"—
                          Dat's Laurier.

Related posts:

14 December 2021

A Good Old Soldier

Old Soldier
Frederick Niven
London: Collins, 1936
250 pages


Stewart Reid lives in a small flat with his wife and two young sons in Edinburgh's east end. Minnie sleeps in the one bedroom; the boys share a "concealed bed" in the parlour. Stewart's days begin in a cot next to the stove in the camped kitchen. The missus can't abide this thrashing about under the covers.

Read nothing into that.

Stewart loves Minnie. Minnie loves Stewart. Their lives are happy. Each Friday night, Minnie meets her man as he leaves work. He hands her his pay packet. She withdraws a shilling and he has a dram at the local. Minnie enjoys a bottle of lemonade.

Stewart's shilling comes through his employ at Mackenzie Bothers, one of Edinburgh's most respected  jewellers. He works in semi-darkness below the shop floor, polishing silver with fellow old soldiers. Robert Mackenzie, the sole surviving Mackenzie brother, prefers veterans for the task. It's easy to see why. Stewart follows direction and is dedicated to the job at hand. When tasked, he can be trusted to deliver goods to Edinburgh's finest homes, doing so with fine military bearing. What's more, Stewart Reid lives by routine. While this is disturbed somewhat by his annual summer holiday, Minnie maintains an even keel.

"He's a man who needs a woman to look after him, or a sergeant," says Todd, the oldest of the old soldiers.

Old Soldier is a quiet novel. Nothing much happens. After several dozen pages, one looks about in search of a plot device. Might it be Mackenzie Brothers' flirtatious charwoman Nell Drummond, she of the swinging skirt? Could it have something to do with cold Rev Dr Churchkirk's refusal to be held accountable for the debts of his wife and daughter? How about paymaster Beck's suggestion that Stewart's holiday allotment be held back, lest the old soldier spend it on... you know, his holiday?

Wait, it's the holiday itself, right?

But no, Old Soldier is a tale of everyday life. Its hero is a man who ventures out on a Monday, does drudgery, and suffers an indignity or two for the love of his wife and boys. On Tuesday, he rises in his kitchen cot and prepares for the same. Stewart becomes complaisant. The reader becomes complaisant. When something of significance does happen – remarkably late in the novel – the reader may be caught off guard.

I know I was.

These things happen to other people. Not to me. Not to Stewart Reid.

And yet he continues on, an old soldier.

Dedication: To the author's wife, journalist Mary Pauline Thorne-Quelch.

Object: Purchased last year for £3.00 from a bookstore in Wallingford, England, my copy once belonged to the Newlands Circulating Library of Fiction, 16 Stafford St, Shandwick Place, Edinburgh. I'm sad to report that the address is now taken up by a Frontiers store.

I found this piece of ephemera glued to page 187:

The novel is followed six full-page adverts for other Niven titles: The Flying Years, Triumph, Mrs. Barry, The Rich Wife, The Paisley Shawl, and The Three Marys.

Access: As far as I've been able to determine, the novel enjoyed just one edition and one printing. A bookseller in Tamworth, England offers an ex-library copy at £8.00.

That's it.

It can be read online here courtesy of the Faded Page.

Related posts:

06 December 2021

The Ten Best Book Buys of 2021... and much more!



A better year than last, right? I got out more, raised pints in pubs, saw my daughter, and spent seven days touring Quebec City and the Eastern Townships. Hell, I even saw a movie in a theatre.

I also visited more bookstores, though a depressingly small number were worth the effort. Six of this year's ten best buys were purchased online. Ted Allan's pseudonymously published Quest for Pajaro (London: Heinemann, 1957) is my favourite. I'd known about about this science fiction romance since 1983, but in all the years that passed had never come across a copy.

No surprise, I suppose.

Quest for Pajaro was published in 1957 by Heinemann. There was no Canadian edition. Was anyone distributing Heinemann in Canada back then? If so, were they aware that "Edward Maxwell" was in fact Montrealer Ted Allan?

Doubt it.

I purchased Quest for Pajaro after having been invited to comment on Allan's work at this year's Toronto Jewish Film Festival. While not his best book, it is his most intriguing. There hadn't been many many Canadian science fiction romances before 1957 – still aren't. What's more, the novel's linchpin is an experimental jet known as the "Arrow."

Bruce Petty's gorgeous jacket illustration puts it over the top.

What follows is the rest of the ten best:

Ted Allan
Toronto: McClelland &
   Stewart, 1977

The author's only children's book, this tale of a talented squowse (offspring of a squirrel and a mouse) proved one of the most enjoyable and life-affirming reads of the year. The fifty – fifty! – Quentin Blake illustrations brought further joy.

Whispering City
Horace Brown
Pickering, ON: Global
   Publishing, 1947

Horace Brown's adaptation of this film noir shot in Quebec City, for years I'd hoped to find a reasonably-priced copy. This year I did (US$89.95).

Can it be as good as The Penthouse Killings? Please tell me it's better than Murder in the Rough.

Blood on My Rug
E. Louise Cushing
New York: Arcadia, 1956


A mystery novel that begins with the discovery of a body in a Montreal bookstore, since I'd long been searching for this novel. Might it be a candidate for reissue as a Ricochet Book?

Nope.

Still, I'm still happy to have it in my collection.

Let Not Man Put Asunder
Basil King
New York: Grosset & Dunlap,
   [n.d]

Though it's been two years since I bought, never mind reviewed, a Basil King novel, I leapt at this one. Let Not Man Put Asunder is either the seventh or eighth King novel to be adapted by Hollywood. IMDb does not recognize, but I have this photoplay edition as evidence.
 
Toute la Vie
Claire Martin
Quebec: Éditions de L'instant
   même, 1999

I've admired Claire Martin since reading Dans un gant de fer in CEGEP. David Lobdell's translation of her Doux-Amer deserves a return to print. Imagine the thrill in finding three signed Martins during my recent visit to Quebec City. This is one.

In Spite of Myself: A Memoir
Christopher Plummer
Toronto: Random House,
   2009

I regret many things in leaving our St Marys home, not the least of which involves selling thirteen-hundred books, In Spite of Myself amongst them.

I'm slowly been buying them back. This signed copy was found at the Kemptville Youth Centre Book Fair.

Marshall Saunders
Toronto: Standard
   Publishing, 1897

I own many copies of Beautiful Joe, but this is by far the most... um, beautiful. At one dollar, it was the least expensive book I purchased this year.

The Countess of Aberdeen provides an introduction!

Menaud, maître-draveur
Félix-Antoine Savard
Ottawa: 
Éditions Fides, 1967

Another Quebec City find, I came upon this inscribed, slip-cased edition on the very same day I made my pilgrimage to the author's home.

I vow to read it in the New Year.


Poldrate Street
Garnett Weston
New York: Messner, 1944


This old novel proved to be 2021's most unpleasant, stomach-turning read. Voyeurism, adultery, greed, murder, and something approaching necrophilia figure.

Good fun from a Toronto boy who made a killing in Hollywood before retiring to Vancouver island.


Two generous souls donated books to the Dusty Bookcase this year.

Lee Goldberg noted my interest in the novels of former Vancouver newspaperman Tom Ardies (Their Man in the White House, Kosygan is Coming) and was kind enough to send me newly published copies of This Briefcase is Going to Explode, Pandemic, Balboa Firefly, and Manila Time (the latter two written under Ardies' Jack Trolley nom de plume). 

Lee is in the process of reissuing Ardies' entire bibliography through Brash Books.

More power to him! 

Fraser Sutherland died this earlier this year. I was honoured to have been asked to provide an obituary for the Globe & Mail. One of the greatest challenges in its writing concerned family, specifically the name of a sibling, an older brother, who had died at a young age. Our newspaper of record is insistent on such things. It seemed not one of Fraser's friends could quite remember... and then one came through, which led me to this uncommon chapbook:


Published in 1976 by Northern Journey Press, Within the Wound is dedicated to that brother, Hugh Sutherland (1941-1965). I shared this discovery with Fraser's good friend, Adrian King-Edwards of Montreal's Word Bookstore, who in turn presented me with this copy.

RIP, Fraser. You are much missed.